



The
Votes are in...... Kweevak..com 2003 "Viewer's Choice"
CD Award Winners:
The 2003 "Viewer's Choice Awards" were presented to the
top-25 (actually 26 this year as there was a 4-way tie for 23rd
place) winners as chosen by visitors to the Kweevak's Tracks website.
A total of 256 CDs were nominated to be voted on and a total of
5929 votes were cast.
THANK
YOU FOR VOTING FOR DESERT OF DREAMS
........We came in 9th
place and are so psyched w/the results.... The award is 100% based
on your support and it's much appreciated! I'd like to thank the
academy.....
Kweevak.com
is an internationally recognized music promotion company promoting
indie and mainstream bands & artists to a worldwide audience.
HOT
OFF THE PRESSES -
Steve
Holley's released a solo CD "The Reluctant Dog" . This
record features songs, vocals and drums by Steve Holley, with a
wide array of musicians. (I'm on the first track) To purchase a
copy, please go to: www.angelair.co.uk.
Click
here to read a review of the record.
Buddy
Sites:
Uncle Carl
Steve
Holley
Matt O'Ree and the Blueshounds
Mark Cutler
Sean Fleming Band
Peekamoose Guitars
"Remembering
Rory" by C.P. Warner
Observations on the Bottom Line Tribute Show
23 October 2002
As I sat wedged against the stage at the Bottom Line on the night
of the show, admiring the guitar arsenal of Justin Jordan, and downright
coveting his steel-body Dobro, I couldn't help but think of the
sheer irony of one small detail.
Just about a year ago, when my very first round of Rory Gallagher
CDs arrived in the post and I wilted on to my sofa to listen to them,
I had a real blinder of a headache, and a broken elbow, and was feeling
mightily sorry for myself.
This night found me recovering from a couple of ankle sprains, cautiously
maneuvering my way around with a cane and, once again, I had a real
blinder of a headache. However, I also had a very firm belief in Rory
Gallagher's power to reach out from beyond the grave and take the
pain away, just as he had done a year before.
I was not disappointed. Gallagher's spirit was present in the room,
very nearly tangible, and inspired a diverse group of musicians to
do him proud. Suffice it to say, it wasn't too long before I forgot
all about that headache, thanks to Gallagher's wonderful music (and
a little extra protein from a not-half-bad Bottom Line cheeseburger).
Whose toes could fail to tap along with the sheer ebullience of Larry
Kirwan's "Messin' with the Kid"? And who could not marvel
at "Out on the Western Plain," especially when considering
that it took three accomplished guitarists to recreate what Gallagher
himself played solo in countless live shows during his too-short lifetime?
Matt O'Ree, a young guitarist from New Jersey, evoked Gallagher in
both musical skill and physical appearance. Small in stature, with
long, straight hair framing an angelic face, clad in simple denim,
he took the stage with complete confidence and revved up from zero
to sixty in a nanosecond. He displayed the same intensity and focus
typical of a Gallagher performance, paying noble tribute to Gallagher,
but never becoming his clone. O'Ree's renditions of "Moonchild"
and "Laundromat" smoked, and the audience was delighted
to have him return at the end of the evening, for the encore performance
of "Bullfrog Blues." I've a feeling we'll all be hearing
a great deal more about this fella in the coming years.
To learn more about Matt and his music, please visit: Matt O'Ree
Also compelling was Justin Jordan: he of the aforementioned arsenal
I wish I owned. I was fortunate to be seated directly in front of
him for the show. He was a pleasure to watch, as well as to hear.
His slide work, an element that must come into play when any guitarist
seeks to honor Rory Gallagher, was excellent, and I also found his
personal Gallagher story especially moving.
Some years before, Jordan and a friend sought to attend a Gallagher
concert in Boston, with just one ticket between them for a sold-out
show. There was not a spare ticket to be had anywhere, for any price:
not even from "unofficial" sources. When all hope seemed
lost, whom should they encounter but Gallagher himself? Upon hearing
the tale of their dilemma, Gallagher advised Jordan: "Give the
ticket to your friend." He then handed his guitar case to Jordan
and said, "Follow me." Problem solved, and a young musician
further inspired by his hero's unforgettable kindness and generosity.
Other highlights of the evening included Sean Fleming's beautiful,
plaintive rendering of Gallagher's signature anthem, "A Million
Miles Away," and Seamus Kelleher's humorous and masterful "Banker's
Blues." The latter drew some audible chuckles from the audience
at the wry delivery of lyrics such as: "If you've got money in
the bank, don't let your woman draw it out, 'cause she'll take all
your possessions and then she'll kick you out."
It was Larry Kirwan, though, who forced us all to look at both sides
of Rory Gallagher's life and music. Kirwan, in his usual style, presented
all aspects of the picture in a bluntly honest way, and reminded the
audience that this prince of a man suffered some intense struggles
in his lifetime, with alcohol, and with his own psyche. Especially
in the last years of his life, Gallagher was unable to see, or believe,
how much he was loved and respected by others. He withdrew into himself,
to be overcome at last by his own sadness, compounded with the physical
damage done by a deadly combination of the drink and prescription
medications.
Kirwan documented Gallagher's joyous beginning and tragic end in a
three-song nutshell: "Messin' with the Kid," his own tribute
song, "Rory," and "Too Much Alcohol."
This was the first time I had ever seen Kirwan perform without an
electric guitar strapped on. He did use an acoustic for "Rory,"
but for the other two songs, he relied on the other fellas in the
band for a solid, driving back-up, and tore into the vocals, dancing
wildly and slinging the mic stand around with great vigor: a most
exciting performance.
Towards the end of the night, just when I thought things could not
possibly get any more sublime, Pierce Turner, rumpled as an unmade
bed, appeared on stage with an acoustic guitar. The soft, simple riff
he began to play was no Gallagher tune, but rather a Turner original
about Gallagher, composed just a few days before. It began with: "Rory
Gallagher bought a cheap guitar," and ended with something like:
"we didn't know you'd die so soon." I wish I had had a piece
of paper handy to jot some of the other lyrics down for posterity.
I've forgotten them now, alas! But it takes me more than one hearing
to get lyrics into my head, anyway. What I do remember is that the
song moved me to tears and left me speechless.
Seamus Kelleher is to be commended for putting together such a well-organized,
well-executed event. There was some talk of making the tribute show
an annual event, and I hope this will come to pass. It certainly got
off to a fine start with a sold-out house. These shows don't just
serve to keep Gallagher's name and memory alive; they enable a damn
fine group of musicians to showcase their own expertise, and honor
a worthy inspiration.
And, lest we forget -- in a display of generosity worthy of Gallagher
himself, every single one of these fine musicians volunteered their
time to participate in this event. This included rehearsals as well
as the show -- a truly awesome gift to everyone who attended, and
loving tribute to a kind, beautiful man.
It was also a privilege and an honor to meet Donal Gallagher, who
journeyed from England to attend.
I have no doubt that Rory Gallagher, in his corner of Heaven, is aware
and
smiling as he feels the love that flows towards him on a never-ending
"crest of a wave."
30 October 2002
from Paula's Rory's
Corner web page
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Customer Reviews - "Desert of Dreams"
A
Must Own!, February 10, 2003
Reviewer: kkoket from Raleigh, NC
You will not be able to get enough listens to Justin Jordan's CD "Desert
of Dreams". This is the first compilation of tunes in a long,
long while where it becomes very difficult to choose a favorite because
they are all so good. A wonderful mix of country, blues, ho-down,
folk and absolutely "on-it" rock and roll. Something for
music lovers of all sorts.
At this moment my favorite is "I Came From Nowhere"....I
like it so much because it has what Neil Young calls "The Spook"....very
very soulful....and a wonderful mesmerizing groove.
I recommend this CD to lovers of all music....you will thoroughly
enjoy it and find yourself waiting for more to come from this artist
Wonderful,
February 1, 2003
Reviewer: John B Nichols from Roxboro, NC United States
I really enjoyed this CD. The guitar work is beautifully down. It's
defintely one of my favorite CD's. It's hard to choose which song
is my favorite but I would have to say that Evening Star is at the
top. I highly recommend picking up this CD. I love listening to it
on long trips in the car. Justin Jordan is very talented. BUY IT!
Fan
from Maine, August 14, 2002
Reviewer: A music fan from Portland, ME United States
Unbelievable music! Justin's tremendous skill shines through with
this new cd. If you like really good music, you will love this artist.
The mandolin is beautiful. What talent!
Reviewer:
A music fan from Short Hills, New Jersey United States
Justin Jordan is a pure genious. His music puts me at ease and his
guitar skills are amazing. Someone should tell more people about this
talented man and his beautiful words. Everyone should be able to experience
the wonders of Justin Jordan's music
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Review
of Desert of Dreams written by Laura Turner Lynch for Kweevak
Tracks :
JUSTIN JORDAN DESERT
OF DREAMS: Desert of Dreams is the debut release from Justin Jordan.
This soulful singer is based out of Montclair, New Jersey yet his
vocals and musical technique are touched by Nashville. Jordan is
currently touring the east coast. Justin plays guitars, Dobro, mandolin
and is the lead singer and main songwriter on Desert of Dreams.
Jordan writes reflective lyrics about life that are woven into well-constructed
instrumentals. Justins core band members have a list of impressive
credentials that include Wings, The Jerry Garcia Band and The Shirelles.
Jordan and his group are talented and tight. Justins music
echoes many classic rockers such as Mark Knopfler, Dylan and the
Band yet his songs are both modern and original. Jordan has deep,
smooth almost smoky vocals that work well on this country rock collection.
Hearts & Violins is foot tapping good fun with its
high-energy fiddle, banjos and a catchy hook line. County
Life is a very visual song accented with the violin, the mandolin
and good acoustic guitar work. Kid Keegan is a wonderful
upbeat instrumental that beautifully blends county and rock in a
spirited song. All of the eleven tracks on this CD are expertly
executed and capture a variety of moods and tones. Desert of Dreams
is an oasis of rock songs with a country flair.
Recommended Tracks: (2,5,9) [USA/NJ 2001 - web] (Review by
Laura Turner Lynch for Kweevak.com)
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STEVE
HOLLEY 'The Reluctant Dog' SJPCD133 Angel Air (2003)
Drummer
Steve Holley has been a member of Wings and has worked/toured
with Elton John, Julian Lennon, Ian Hunter and Sheryl Crow. This
is his
debut solo album and features ex-Wings member Denny Laine adds harmony
vocals to one track. 'What Are You Looking For' starts the album
off in
a mellow style, with some nice slide guitar by Justin Jordan. Steve
Holley's vocal style is not disimilar to that of Paul McArtney in
places, none
more so than on 'So Help Me God'. Other highlights include ' Evermore',
the
bouncy pop of 'Entertain You' and the slow burning 'Living For Today'.
There is even a comic song in the shape of 'Da Da Da, Dee Dee Dee'!
An album of laid back tunes, ideal for late night listening. You
get
the added of some fine guitar playing and a wide variety of instruments
from
accordion to flute.. Not an instant album by any means but a definite
grower. http://www.angelair.co.uk
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